In the Frame conservation work

Detail of 'Portrait of a Young Man holding a Carnation', Flemish School, 16th C. © Plymouth City Council (Arts & Heritage)

By Alison Cooper, Curator of Decorative Art

As we draw closer to the opening of the ‘In the Frame’ exhibition and as the final selection of works for the show has been made, we are now looking at the conservation work required for the exhibition. Each work has undergone a brief assessment so that we know which are fine to be displayed as they are, which works need some treatment and which items need more specialist treatment.

As the aim of this exhibition is to display a number of works not often seen – some of which have not been on display for many years – there is quite a lot of preparation work to be done to get them ready in time.

Our conservator Neil and a volunteer clean one of our works
Our conservator Neil and a volunteer clean one of our works

Some of the Portrait Volunteers who have been researching the paintings have come in to help us prepare. The main tasks are to clean the glazing and the frames. The frames are carefully brushed to remove surface dust before they are enzyme cleaned to get rid of the more ingrained dirt.

One of our volunteers cleaning the frame 'Madam B'
One of our volunteers cleaning the frame of ‘Madam B’

With the guidance of our Senior Conservator, our volunteers have been working on the frames of a Self Portrait by Plymouth artist James Northcote (1746-1831) and Madam B by Devon artist Francis Hodge (1883-1949).

We’ll be continuing to clean and prepare works ahead of the exhibition opening in December.

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