by Rachael Aylmore, Plymouth University Fine Art student and Peninsula Arts Exhibition Intern
As part of the journey towards the History Centre, Peninsula Arts and staff from the Arts and Heritage Service are working together on a series of partnership exhibitions.
During my placement at Peninsula Arts I have been fortunate enough to support the installation of their current exhibition, ‘Thinking Tantra’ – ‘Tan’ being Sanskrit for stretch and ‘tra’ Sanskrit for beyond boundaries. These beautiful, bold and abstract Tantra pieces of art have been created as tools for meditation and rituals linked to Sanskrit texts.
The exhibition unfolds
Together with Polly Irish and Catrine Wallace (also Fine Art students and Peninsula Arts Interns), I have gained an understanding of the many different processes and tasks that are involved with setting up an exhibition – from prepping the space, collecting the work, curating and even publicity. Throughout the last two weeks in March before ‘Thinking Tantra’ opened, we watched it unfold in front of us and learnt all the important steps and skills (as well as people) it takes for an exhibition to come together smoothly and successfully.
Before we even get a glimpse of artwork, the Peninsula Arts Gallery must be prepped, walls taken down (or moved) and walls painted for each show. It’s important that that the gallery is in good condition for the artwork to be displayed. There are many helping hands involved in this process including technicians, gallery assistants and curators. Stripping the gallery back to its bones and starting from fresh allows the curator to view the space with new eyes and make the final decisions about the placement of works.
It’s like Christmas
Once the space is prepped and ready to go, the exciting process of removing the carefully packaged artwork from storage can begin – it’s like Christmas in March! We can then begin the all-important quality and condition check of every single piece of art.
Once the checks have been completed, one of the final parts of setting up an exhibition is of course installing the work. Although rather daunting and nerve racking the process is relatively straightforward and can be done fairly quickly once a system has been established. A lot of measuring, maths and wrongly drawn pencil marks later, the exhibition space finally starts to come alive!
With the exhibition installed and displayed in its full glory, you can really get a feel for the use of colours, shapes and rituals as well as the transcendental ideas behind the Tantra artwork.
I hope you’ll visit the exhibition while it’s here in the city. We are the only UK venue on the tour outside London and it will be on display until 27 May.
‘Thinking Tantra’ is a collaboration between Rebecca Heald, Drawing Room, London and Amrita Jhaveri Contemporary, Mumbai.
‘Thinking Tantra’ is a History Centre partnership exhibition.