by Jo Clarke, Marketing and Communications Officer
In 2016 Plymouth was awarded £635,000 from Arts Council England’s ‘Ambition for Excellence’ funding scheme. The money has enabled a number of organisations in the city to come together to establish ‘Horizon’ – a two-year visual arts programme which, amongst other things, will support a series of talent development opportunities for artists and enable four major arts festivals and events to take place.
Two of these major events will be this and next year’s Plymouth Art Weekender (22-24 September). An international public art festival called the ‘Atlantic Project’ is scheduled for 2018 (more about this in the future). First though, we have ‘We The People Are The Work’.
We’ve been collaborating on this project with four other arts venues: Peninsula Arts at the University of Plymouth, The Gallery at Plymouth College of Art, Plymouth Arts Centre and KARST. It will take the form of a multi-site exhibition which opens on 22 September. As the Museum and Art Gallery is closed our venue is the Council House. The exhibition has been curated by Simon Morrissey, the director of a Frome-based organisation called ‘Foreground’ which aims to bring new art to new audiences. Simon has been assisted by Plymouth-based producer Vickie Fear.
Six international artists will be showcased in ‘We The People Are The Work’. You can find out more about them all here.
The artist whose work will be displayed at the Council House is Lincoln-born, London-based Peter Liversidge.
Liversidge is an artist who ‘experiments with the idea of what is possible’, and who has always been interested in work that finds itself slightly outside of what is, at first, thought of as ‘fine art’.
All his artworks begin at his kitchen table with him sitting alone writing proposals on a manual typewriter. Some of these come to fruition, others don’t. What they all have in common is their ‘gently persistent questioning of the world around us’.
Over the last ten years Liversidge has worked with organisations in the UK, Germany, Holland, Iceland and the USA. In 2016 he developed a collection of songs and vocalisations inspired by the public’s relationship with Tate Modern’s iconic Turbine Hall. ‘The Bridge (A Choral Piece for Tate Modern)’ was performed in the Hall by a choir of 500 amateur singers.
For this particular commission the audience was just as much a part of the work as the work itself. This has interesting parallels with the ideas and aspirations behind our project, which has seen all six artists involve locally-based communities in the development or production of their artworks.
Liversidge’s ‘Sign Paintings for Plymouth’ brings together the ideas and voices of a range of individuals – many of which often go unheard. These provide the inspiration for a series of placards that you will be able to see being made in the Council House. The signs will be spread around the city, used in a ritual burning in the bonfire on The Hoe on 5 November and in a special Closing Day Party on 18 November. Liversidge will also have a temporary public artwork on the flagpoles on The Hoe in October and November.
Liversidge has worked with a number of participants including children from Salisbury Road Primary School, the Pioneers Project at Tamar View Community Resource Centre and members of Plymouth’s Youth Parliament.
If you’d like to find out more about him this 2009 article from The Guardian and 2013 ‘In The Studio’ feature from The Independent are interesting reads. You can also hear him give a Lunchtime Talk on Tuesday 7 November at the Plymouth Athenaeum.
‘We The People Are The Work’ runs from 22 September to 18 November.