Build Update: 24 May 2017, Discoveries and Hoardings

by Jo Clarke, Marketing and Communications Officer

Welcome to this month’s update on all things to do with the building and construction work that’s taking place at the History Centre site.

Firstly, here’s the latest time lapse video from the web cam which takes us back to everything that happened during April.

You may have seen the report in the Herald but work at St Luke’s Church has unearthed some old gravestones. Our building contractors already knew they were underneath the old timber floor and that there were no bodies to be found! The gravestones were revealed when the floor boards inside the church were ripped up. An archaeologist was present at the time to make sure all the relevant information about them was recorded.

Picture by Paul Slater/PSI – http://paulslaterimages.newsprints.co.uk

St Luke’s Church stopped functioning as a place of worship in 1964 and the floor was rebuilt – hence the reason why there was no need to expect any hidden surprises! In these two images courtesy of the Herald you can get a good idea of how St Luke’s Church currently looks now the floor boards and the false ceiling have been removed.

Picture by Paul Slater/PSI – http://paulslaterimages.newsprints.co.uk
Picture by Paul Slater/PSI – http://paulslaterimages.newsprints.co.uk

Elsewhere on site, progress continues to be made with the scaffolding. This is most visible from the North Hill/Drake Circus side of the former Central Library building where you can really see the extent of the scheme.

Scaffolding being put up over the former Central Library in Plymouth

The other most visible change is that the graphics have at last been installed on our hoardings! As well as acknowledging our partners and funders, and highlighting the ‘Museum On Tour’ programme we’re currently running in a range of offsite locations, the graphics feature large-scale black and white images of scenes and people from Plymouth. The images we’ve used are from the collections at the Plymouth and West Devon Record Office and South West Image Bank.

The graphics were expertly installed over a period of four days by Atlas Graphics – not bad going considering they had to apply multiple sections of vinyl over an area of more than 150 metres in length by 5 metres high. I hope you’ll agree that now they’re up they look really smart.

I’ll be back again in June with more updates. In the meantime, make sure you keep an eye on the blog for collections, History Centre Heroes and ‘Museum On Tour’ updates too.

Museum On Tour, 4 May 2017: Ropewalks #6 – Writing Ropewalks

by Jon Nash, Scriptwriter

As a writer and theatre maker I’ve always been interested in story. The stories we hear, the stories we tell each other and ourselves. Stories help us make sense of the world around us and can bring us together to learn and think and feel.

So around a year ago I began a project of research into the history of the Barbican: its buildings and people, trades and events. As I collected the expected dates and timelines and names and records, I was looking for the smaller human stories that stood out against the backdrop of history with a capital H.

An historic photo of the Barbican, Plymouth from Plymouth City Council's (Arts and Heritage) Service's collections

In workshops with young people from the city I shared some of the stories I’d found and asked them which ones they felt were the most interesting to them. The ones that caught their attention had a few things in common:

  • They connected Plymouth to big important history in a way they hadn’t known or imagined
  • They showed how ordinary people lived often during extraordinary times and talked about people just like them
  • They were unexpected or surprising or funny or a bit dangerous or subversive

Over the weeks of research and development with our brilliant volunteer actors we talked and improvised a lot about these ideas and how, in something like a walk, we could bring them to life and surprise our audiences.

An historic photo of fishermen on the Barbican, Plymouth from Plymouth City Council's (Arts and Heritage) Service's collections

We began to take fragments of history, from the Bread Riots, to smuggling to Dutton’s shipwreck and looked for the human beings that could tell us those stories, what they might have to say about them that could surprise us. We’ve been pirates and fishwives and emigrants and customs officials and all sorts of characters. Which led to the questions: who is telling these tales on this walk? Why are the telling them and from whose point of view?

Among the historical quotes about Plymouth, one stood out. Count Magalotti (visiting from Italy) in the 17th century describes Plymouth as a city of ‘women and children’ as the men were often away fishing or sailing or at war. We wondered what stories the women of the Barbican might tell and how they might view the events we were interested in. We imagined them being there by the harbour side from the very beginning. They’re still there today if you look in the right places.

The initial focus of my research had been food and drink. Over time this isn’t really about menu options but something much more urgent. How do you survive? How have people who live on the Barbican survived? What would these women want us to know about how they lived their lives, even when the going got tough?

Photograph of Nancy Astor campaigning on the Barbican, Plymouth during her historic 1919 election campaign

Much of my work in writing the final show has been about finding these voices, listening to them and not minding too much when they argue or disagree or even stretch the truth a little. To create a trio of long-lived Barbican women who can bring these stories to us and make us feel as if were were really there.

I’m on to my second draft now and they still keep surprising me. I hope they’ll do the same for all those who come to see the final performances.

Buy your tickets for ‘Ropewalks’ here. Performances take place on selected dates during May, June and August.

Build Update, 27 April 2017: Making progress

by Jo Clarke, Marketing and Communications Officer

The History Centre construction site continues to be busy as our contractors Willmott Dixon make progress.

Demolition work and scaffolding are the two most visible things that have been happening since our last update. On some days it’s been pretty noisy working in the Museum Annexe with the sound of diggers and rubble being moved around – but it’s also confirmation that things are moving forward!

Photograph of the demolition work at the Plymouth History Centre
Work carries on as the sun starts to go down on 4 April

One of the main elements of the demolition this month has been the knocking down of the toilet block at the back of the former City Museum and Art Gallery. Weaver Demolition are the company working on this.

Demolition work takes place on the Plymouth History Centre site April 2017
The toilet block on the former City Museum and Art Gallery was demolished this month
The toilet block on the former Plymouth City Museum and Art Gallery building is demolished April 2017
A close up of the demolition in action

Great progress continues to be made with the scaffolding too. As mentioned in last month’s post this is quite an extensive piece of work. The two shots below taken three weeks apart give an indication of its ongoing advancement. LTC Scaffolding have certainly been busy!

Photograph from the History Centre web cam on 7 April 2017
A shot from the web cam on 7 April
Photograph from the History Centre web cam on 26 April 2017
A shot from the web cam on 26 April

This shot taken from the upstairs of the Caffeine Club gives you a different vantage point and a closer view of the scaffolding that’s been put up to the side and over the roof of the former Central Library.

Scaffolding going up on the History Centre construction site in Plymouth on 11 April 2017
A different view of the scaffolding taken on 11 April

Willmott Dixon also do a lot of community engagement work and the History Centre was one of the sites that they recently opened up as part of the national Open Doors initiative.

‘Open Doors’ is a chance for people who are interested in a career in the construction industry to see behind the scenes and learn more about some of the UK’s major ‘live’ construction sites. The History Centre was one of 130 sites that took part across England, Scotland and Wales – 31 of which were Willmott Dixon sites. Students from the University of Plymouth and South Devon College visited for a talk and tour.

Willmott Dixon also started a series of ‘Hard Hat Tours’ for us this month.

The first one was really successful with lots of interested people, questions and discussions. Many thanks to them and everyone who came along. The next tour takes place tomorrow and is fully booked but a new series of dates for the rest of this year have now been released, so book your places now!

Hard Hat Tour attendees at the Plymouth History Centre construction site on 31 March 2017
The attendees to our first-ever Hard Hat Tour

I’ll wrap up this post with the most recent footage we have from the web cam – just in case you haven’t already seen it on our YouTube channel. This contains all the footage from March – just look at how many different types of weather all those working on site had to contend with!

Museum on Tour, 13 April 2017: Ropewalks #5 – Bringing heritage and performing arts together

by Victoria Lester, City Explainer

Once upon a time I was an historian, a published historian in fact who became a language assistant who then came back to the UK – back to Plymouth to become unemployed for two years!

But that was once upon a time.

I decided to do something I’d always wanted to do which was work in the performing arts. It hasn’t been easy. Starting down a new career path in my mid-twenties when my confidence was in the dustbin wasn’t something I ever thought I would have to do. Starting a career in an industry where your confidence can sometimes take a beating hasn’t necessarily made it easier – but it has made me more determined.

I enrolled in a BTEC in Performing Arts at City College to test my resolve and now here I am. It’s nearly four years since I decided to go down this route and without the help and support I’ve received from the Barbican Theatre I wouldn’t be here today.

Where’s here? I’m one of the devising actors on the ‘Ropewalks’ walking tours project, working with the Barbican Theatre and staff from the City Council’s Arts and Heritage Service/History Centre to help bring heritage and performing arts together.

A photograph of the Ropewalks team in a devising session at the Barbican Theatre, Plymouth

It’s been a fascinating experience, working with a large team of actors, directors, writers, costume designers, graphic designers, marketing officers, historical professionals and more to bring a series of theatrical walking tours that will bring the Barbican to life to the people of Plymouth.

I thought I knew the history of Plymouth. I’ve learnt that you can never really know the full history of a place or of a people. You can only know so much and there’s always something new to discover.

The 'Ropewalks' team taking part in a filming session at the Mayflower Museum, Plymouth

Over the last few months, as part of the research and development process we’ve visited the South West Film and Television Archive and the Devonport Naval Heritage Centre – a place I’d only ever heard of. Going there and hearing about the social history of Plymouth alongside the military was fascinating. We heard about:

  • the widows of the ropewalk: ladies whose husbands had been killed in the line of duty
  • The ever present rivalry between Plymouth and Portsmouth
  • the ladies who lived on board ship, and just why someone could be called ‘son of a gun’
  • how during the First World War the telegrams from sailors would often come long before official word of a battle having been fought

……….and so much more.

Back in the theatre we’ve been taking extracts from texts, history books and original sources, and considering potential scenarios, characters and pieces that scriptwriter Jon Nash has written. We adapted them and ‘threw them around’ to see what would stick. One thing we realised very early on was that an historical fact or object without a glimpse of the person behind it wasn’t engaging. Put a person behind it though and suddenly it was brought to life.

Victoria Lester in a devising session for the 'Ropewalks' project at the Barbican Theatre

Among the many things I’ll never forget us doing are:

  • six of us being on stage and throwing the history of the Barbican around the room, starting in the prehistoric we bounced the story between us all the way to the present day
  • Re-enacting aspects of the Bread Riots – a part of history I’d never heard of! Who doesn’t love a good riot?
  • Finding the often contrary voices and characters of the ladies of Plymouth and realising how you actually go about gutting a fish

It’s been a long journey with many a wander through the streets of the Barbican marvelling at the rich and colourful history of this city that deserves to be remembered.

Members of the 'Ropewalks' team in discussion at the Mayflower Museum, Plymouth

Plymouth is a city that we should be proud of and I am very proud to have been part of the team involved in a project which is combining so many strands to develop a lively new form of theatre that I firmly believe will create an immersive experience for everyone who comes to watch.

Build Update, 30 March 2017: A hive of activity

by Jo Clarke, Marketing and Communications Officer

If you’ve been checking out our web cam on a regular basis you’ll have realised that things have been really busy on site since our last #BuildUpdate post four weeks ago. A quick glance at these two shots taken a couple of weeks apart gives you an idea of the increase in activity.

A web cam shot taken on 13 March 2017 of the Plymouth History Centre construction site
A web cam shot taken on 13 March 2017
A web cam shot taken on 30 March 2017 of the Plymouth History Centre construction site
A web cam shot taken on 30 March 2017

Five key things have happened since our last report.

The first is the removal of some Japanese Knotweed from a patch of land on the site.  This invasive plant was introduced to the UK in the late 1800s and can create a whole range of problems.

The second is what is known as a ‘soft strip’ in the former Central Library. A ‘soft strip’ involves the removal of internal fixtures and fittings, ultimately leaving a ‘frame’ ready for building and construction work. Carpet tiles have been taken up, windows, doors and door frames have been removed. You can get a good idea of the work that’s been undertaken from this image, which shows a part of the Library which is scheduled for demolition.

A photograph of part of Plymouth's Central Library ready for demolitition
This part of the former Central Library building has been prepped ready for demolition. Image taken by Penny Cross, Plymouth Herald

The third is the appearance of another set of hoardings – this time at the back of Chapel Lane – shown here on a lovely sunny day slightly earlier in the month.

Hoardings on Chapel Lane, Plymouth as part of the History Centre construction site
New hoardings at the back of the History Centre site

The fourth is the demolition of some small outbuildings in the car park next to St Luke’s Church. This work largely took place during the weeks of 6 March and 13 March. The demolition will enable us to create a walkway from Chapel Street through to Tavistock Place, providing easy access to the History Centre complex and the public piazza.

Demolition work begins at the Plymouth History Centre site - 10 March 2017
Demolition work begins. This shot was taken on 10 March 2017 from Chapel Lane
Demolition work at the Plymouth History Centre site - 28 March 2017
The demolition of one of the St Luke’s Church outbuildings complete. This shot was taken on 28 March 2017 from Tavistock Place

The fifth and probably most publicly visible piece of work is the scaffolding. This started to go up on 20 March and, due to its extent, will take around five weeks to install.

Scaffolding on the former Plymouth Central Library building - March 2017
Scaffolding has started to go up on the former Central Library building

A temporary roof has also been put up over the former Central Library building. The existing roof will be taken off and a new one put on. This work will take place under the temporary roof meaning the rest of the building will be kept dry.

The temporary roof on the former Plymouth Central Library building - March 2017
A new roof will be created under the temporary one now in place over the former Central Library building. Image taken by Penny Cross, Plymouth Herald

We’ll be back with another #BuildUpdate in late April when there will no doubt be lots more work to report on. We’ll finish with our latest progress report video which gives you an overview of a number of things that have been achieved for the History Centre from January to March 2017.

Museum On Tour, 23 March 2017: Ropewalks #4 – Creating an immersive experience

by Toluse Farley, City Explainer

7 years ago I was hospitalised. Although this sounds like a dramatic way to begin my post it’s important as it was a life event that would end up being the catalyst for my recent career path and my involvement in this project!

To help aid my recovery I decided to enroll in a course at City College. I was looking for something that would challenge me.

I went to an Open Day at the Goschen Centre and left later that day having signed up for a BTEC in Performing Arts. I knew it wouldn’t be easy but was determined to apply myself.

Through the course I was introduced to the Barbican Theatre. The experience has been invaluable. Without it I could not have progressed to the point I’m at now or developed the confidence to ‘put myself out there’!

Toluse Farley from Plymouth City Museum and Art Gallery's City Explainers Team

Mark Laville from the Barbican Theatre gave a presentation to our entire year. He explained what they were about as a company and how they work to empower young performers to express themselves through the arts in a safe accessible environment. Moved by his passion and integrity I approached him about how I could get involved.

Some 14 months later here I am working on a project with the Barbican Theatre and the Arts and Heritage Service to help bring the stories of the Barbican to life through a series of theatrical walking tours.

I am one of the devising actors on the project and have thoroughly enjoyed the process. It’s given me a chance to work as part of a large team with fellow actors, directors, costume designers, graphic designers, historical professionals and more.

Learning about the history of Plymouth and the Barbican area has been really inspiring for devising the theatrical aspect of the tours.

A figurehead at the Devonport Naval Heritage Centre in Plymouth

One of the things we’ve done as part of our research and development process is to visit the Devonport Naval Heritage Centre where I learned many facts that I was previously unaware of.

Many of the things we heard about have had an impact not only locally but also worldwide, such as:

  • How a Plymouth-based engineer named Dummer was commissioned to build the Dock in Devon in 1691. It was the first stone clad dry dock to be built and has since been copied worldwide.
  • How Aggie Weston set up a sailor’s rest home on Fore Street, Devonport among the theatres, shops and department stores. It provided sailors coming off their ships an alternative to the pub and brothels and had facilities like restaurants, cafes, billiard rooms and cabins.
  • HMS Plymouth, a Frigate (warship) that served in the Falklands.
  • How Plymouth, Devonport and Stonehouse was amalgamated from three towns into one in 1914 as a result of the First World War
  • How the West Country has produced some of the greatest sailors we’ve known who have developed colonies, circumnavigated the globe, defeated the Spanish in the Armada and more.

A model of a warship at the Devonport Naval Heritage Centre in Plymouth

These are just the tip of the iceberg. What the visit confirmed for me is what a rich cultural heritage there is here in Plymouth. It deserves to be remembered and celebrated. I hope this project will help bring more awareness of this.

Since our visit to the Naval Heritage Centre we have spent many hours mulling over our research. It’s helped us to conjure up scenarios and characters drawn from the history of the area. Combined with the landmarks around the waterfront and the events we’ve learned of it’s a fantastic recipe for creating an immersive and entertaining experience.

Members of Plymouth City Museum and Art Gallery's City Explainers team on a research visit to the Devonport Naval Heritage Centre

I’m proud to be a part of a team that is developing this innovative form of theatre – and hope you’re all looking forward to something which commemorates Plymouth, from its humble beginnings through to its monumental achievements.

 

Museum On Tour, 9 March 2017: Ropewalks #3 – A fun object handling session

by Joe Woolley, Arts and Heritage Placement

As part of my traineeship at Plymouth City Museum and Art Gallery I was eager to be involved with as many interesting projects as possible. Luckily for me within the early stages of my traineeship I was offered the chance to be the administrator for the theatrical walking tours project!

The role I was assigned involves me liaising with all the different members of the project team to help organise meetings, collate media and keep everyone up to date with what’s going on with the project while also providing insight on the use of technology within the project.

Although I don’t come from a cultural or history-based background this role was perfect for me. It allows me to utilise my technological background while also helping me to gain valuable experience of administrating a group for the first time.

It’s been an honour to be involved in such a ground-breaking project. The experiences and knowledge I’ve gained from interacting with the other people working on the project as well as the staff from the Museum and Barbican Theatre have been brilliant.

As part of one of our regular weekly meetings we recently had an object handling session which was provided by my colleague Joanne Gray and myself.

Plymouth Museum handling session

This was a great opportunity to give the project members a chance to get their hands on some historical objects and to help inspire ideas.

The items that we had a chance to look at were mainly food and drink based objects with a strong link to Plymouth. They ranged from old records of recipes that were common in Plymouth’s past, to ships biscuits which are a long lasting food source that were once widely used on ships.

Photograph from Plymouth Museum's Rope Walks handling session

As well as being a great way to inspire ideas for the project the handling session was a chance for everyone in the group to discuss the historical context of the items and the functions they had. I love this photo of scriptwriter, Jon Nash below with a basket on his head!

The session was also of great benefit to me as it tested my knowledge of some of the items the Museum has in its handling collection and enabled me to engage with my peers in a really lively and interesting discussion.

Members of Plymouth Museum's Rope Walks team take part in an object handling session